Category Archives: Deep Space Nine

Also known as DS9

The best (and worst) of Trek

Our 18-month mission to … tell you about Star Trek’s most pivotal episodes is (maybe?) over. We haven’t decided yet whether we’ll tackle the rebooted movies or the new series. But one thing’s for sure …

We still have a few things to say about Star Trek.

When we started this blog, we didn’t want it to be a site where we just reviewed every episode. Other sites, like Jammers Reviews, do that well enough. But now, as we close this project, we wanted to identify our 10 favorite episodes in all of Trek, including the movies. Some of these appeared in our Tapestry, others didn’t.

First, some honorable mentions: “Where No Man Has Gone Before,” “Mirror, Mirror”, “The Measure of a Man”, “Yesterday’s Enterprise”, “Improbable Cause”/”The Die is Cast”, “The Way of the Warrior”, “Timeless”, “Twilight”, “Star Trek III: The Search for Spock” and “Star Trek IV: The Voyage Home”.

Now, here’s our top 10. Note that this includes a couple of multipart stretches.

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“One day, I’ll make Voyager even worse…”

10. “Star Trek: First Contact” — Easily the best of the TNG movies. It’s gritty, visceral and still optimistic with a good supporting cast while being the only TNG film that feels all that consequential. The flawed Borg Queen concept is a slight ding — and it paved the way to defanging the Borg on Voyager — but it’s still a great film.

9. “Azati Prime”/ “Damage”/ “The Forgotten” — Enterprise’s peak in arguably the most daring, and probably the most morally questionable, stretch of Trek episodes, which worked well in the years immediately following 9/11. It’s not Roddenberry’s Trek, but it’s good TV and as edgy as anything the franchise did.

9. “The Trouble with Tribbles” — Trek’s best comedy and also an episode that shows why TOS endures: the chemistry among the cast members. Kirk dressing down Scotty and others for getting in a fight with Klingons is still a thing of beauty.

7. “In the Pale Moonlight” — The episode where DS9 decided to not even pretend to be like the rest of Star Trek. It’s controversial as it makes Sisko, in effect, a criminal, which was just incredibly daring for 1998 TV. It might have been higher on the list if the scope issues that DS9 struggled with — i.e., a handful of people on the station can change and have no problem with changing the balance of galactic affairs — had been better handled.

6. “The City on the Edge of Forever” — Many fans’ favorite, but not ours. Arguably, it had been built up too much by the time we saw it and wasn’t as original in the 1990s as it was in the 1960s. Still, a great episode with Shatner, Nimoy and Kelley absolutely bringing it.

"Shall we swipe left or right keptin?"
“Shall we swipe left or right, keptin?”

5. “Star Trek II: The Wrath of Khan” — Trek’s best film. Shatner and Nimoy are pitch-perfect and the story is a great mix of action and science fiction. If you haven’t seen it, you’re not really a Trek fan.

4. “The Inner Light” — Simply an amazing episode in which Picard lives an entirely different life as a way for a dying civilization to not be forgotten. The final scene with Picard in his quarters, as he re-acclimates with his real life, is a gut punch in the best way. It’s unfortunate that we didn’t see more consequences in subsequent episodes and that Picard, more or less, is back in regular form the next week.

3.  “The Visitor” — DS9’s finest episode as Sisko is lost and Jake spends the rest of his life trying to find him. We were often critical of Avery Brooks, but he was absolutely great in this episode. As poignant as Trek gets.

2. “Space Seed” — The setup to the second film is incredible to watch. That it was on television in 1967 is amazing, as Khan’s manipulation of Lt. McGivers is very edgy and provocative. Kirk’s decision to let Khan try to build a world rather than putting him in prison is classic TOS, in that it’s morally justifiable and intellectually curious but also a dangerous and questionable call.

Inform Admiral Kanye, this is the best two-parter OF ALL TIME.
“Inform Admiral Kanye, this is the best two-parter OF ALL TIME.”

1. “The Best of Both Worlds” — No surprise here. This two-parter has everything, and set the stage for cliffhangers for the next 25 years. Jonathan Frakes — often marginalized in late TNG — puts in his best performance and the Borg, as an implacable threat, still seem menacing today. Even the scene where Riker chooses his first officer is great. I would go as far as saying it’s a perfect two-parter, except for the somewhat rushed ending. It’s also bolstered by the idea that Picard wasn’t back at his desk the following week. In fact, he struggled with his experiences immediately after he’s rescued and in the following years.

And now, the bottom 10 (after some dishonorable mentions): “The Alternative Factor”, “The Lights of Zetar”, “Haven”, “Dark Page”, “Star Trek: Insurrection”, “Ferengi Love Songs”, “Spirit Folk”, “The Disease”, “Precious Cargo”, “Extinction”.

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10. “Star Trek V: The Final Frontier” — The strangest entry in the film franchise. It’s light and jokey at points and heavy and ponderous at others — but it consistently avoids anything approaching subtlety. Co-written by William Shatner, the movie seems intent on lionizing Kirk while painting Spock as weak and evasive (the scene in the brig being the worst example). Worse, the script humiliates Scotty and Uhura.

9. “Course: Oblivion” — One of a handful of episodes that shows exactly what was wrong with Voyager. Instead of using a strong cast and a great concept to write compelling stuff with the REAL Voyager, the creators used those things with a FAKE Voyager. Worse, the fake Voyager should have easily known that it was a fake Voyager, invalidating the whole premise of the episode. And how did the fake Voyager crew build a fake Voyager and survive for like a year outside of the only environment that could support it?

8. “Code of Honor” — Weirdly racist and definitely uninspired. It feels more like third-season TOS than TNG, which sort of makes sense, as it was just the third TNG episode. Still, it’s hard to understand what the creators were thinking.

These are just clips from other BDSM books I've read?!!!?
“These are just clips from other BDSM books I’ve read?!!!?”

7. “Shades of Gray” — The awful Riker flashback episode partly necessitated by a writers’ strike. Yuck.

6. “Profit and Lace” — The worst of DS9’s awful Ferengi episodes. Quark in drag? What drivel. DS9’s obsession with having two Ferengi-centric episodes a year was just ridiculous.

5. “Fascination” — Lwaxana Troi comes to DS9 and everybody — well, at least the main cast and the regular guest stars, minus Sisko — gets horny. WTF, creators?

4. “Threshold” — The most scientifically awful episode in second-generation Trek. It didn’t make the top spot because there’s SOME good work by Robert Duncan-McNeil and it was an attempt at something new and different.

3. “A Night in Sickbay” — Archer as a total huffy asshole, with moronic aliens and a ceremonial apology involving a chainsaw. Oh, and a totally unnecessary sexual fantasy from Archer about T’Pol. The Archer/T’Pol relationship — at least in the prime reality — was professional and friendly, not romantic. Throwing a sex dream from Archer in there really belittled the show.

And, we have a tie for Trek’s worst episode:

60-and-the-children-shall-lead1

1. “And the Children Shall Lead” — Wow. What an absolute train wreck. The kids are annoying and awful, the villain behind their behavior is horribly acted and conceived and even the editing is bad. While “Spock’s Brain” and “The Way to Eden” are the most infamous episodes of TOS, “And the Children Shall Lead” is BY FAR the worst.

Beverly, you've got nothing on Mrs. Darcy...
“Beverly, you’ve got nothing on Mrs. Darcy…”

1. “Sub Rosa” — Of all the awfulness in TNG’s seventh season — it’s worse than season one, folks, as the creators should have known better after six-plus years of the series — this episode is just cringe-worthy. Crusher was the most neglected of the TNG regulars, and it’s a shame that one of the few episodes to feature her is this hideous mess. She falls in love … with a freaking ghost.

That’s it for Trek Tapestry.

Or is it …

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The best (and worst) of the rest of DS9

As is our practice after wrapping a series, here are our recommendations — and disrecommendations — of the DS9 episodes we didn’t think were tapestry worthy. Given the serial nature of DS9, we’ve grouped some episodes together.

Nope. None of my seventh-season eps make either list. But the creators sure rammed me down your throats, didn't they?
“Nope. None of my seventh-season eps made either list. But the creators sure rammed me down your throats, didn’t they?”

Episodes you should also watch (listed by air date)

“Duet” — The best episode that gets to the core of the lingering Bajoran/Cardassian problems immediately after the occupation. Nana Visitor is at her absolute finest and the series — after some unevenness in season one — starts to show its potential.

“The Circle” trilogy — A truly great start to DS9’s second season. It would have made the tapestry if Bajoran politics hadn’t been so marginalized for the rest of the series.

“Necessary Evil” — Classic DS9 with a look back on the station before “Emissary”.

“Defiant” — Jonathan Frakes plays Will Riker’s evil transporter duplicate who steals the Defiant for the Maquis. It’s a great one-off episode written in typical Ronald D. Moore style.

worfshattered
“How did the rebels build a ship like the Defiant? They have no resources and almost none of them has any formal education! It makes no sense! Where did they get antimatter for the torpedoes? Where did they get dilithium?”

“Through the Looking Glass”/”Shattered Mirror” — The two mirror-universe follow ups to the great  “Crossover”. “Looking Glass” is pretty good and “Shattered Mirror”, while goofy and implausible, is fun. Avoid the next two mirror episodes — the boring “Resurrection” and the regrettable “The Emperor’s New Cloak”.

“The Visitor” — Without question, DS9’s best episode. Incredibly poignant and moving. It all gets undone in a time travel thingy, which is why it didn’t make the tapestry. But as much as we’ve criticized Avery Brooks on this site, he’s great here.

“Little Green Men” — The best of the Ferengi episodes (with only “The Magnificent Ferengi” and maybe “Business as Usual” coming close). Genuinely amusing and well acted by the three lead Ferengi characters.

Weren't you in 'The Way to Eden'?
“Weren’t you in ‘The Way to Eden’?”

“… Nor the Battle to the Strong” — The best use of Cirroc Lofton as Jake, as Tony Todd played old Jake in “The Visitor”. Simply a great war-time episode.

“Trials and Tribble-ations” — DS9’s 30th anniversary episode, utilizing “Forrest Gump” technology to intersperse the DS9 characters in TOS’s “The Trouble with Tribbles”. DS9’s best comedy and a great callback.

siskodax
Avery Brooks and Terry Farrell take a break from filming to watch Voyager’s “Flashback” — and wonder yet again what their sister series is thinking.

“Things Past” — Another fascinating look back at DS9 before the series started. Sort of the sequel to “Necessary Evil”.

“Rapture” — The best of the Sisko/Emissary episodes. We almost included it in the tapestry, as keeping Bajor out of the Federation likely saved the planet during the Dominion War.

“In the Cards” — A sort of lead-in to the series-altering “Call to Arms”. It’s the best use of the Jake/Nog combo that we saw a lot early in the series and is genuinely funny in a low-key kind of way.

“The Siege of AR-558” — Easily DS9’s hardest-core combat episode. Hell, Nog loses his leg!

Episodes you should avoid (ordered by our ranking)

10. “Rivals”/”Melora”/”Second Skin”/”Cardassians” — A stretch of episodes early in season two that made the series seem very aimless and boring. Things picked up with “Blood Oath” and then with the great “Maquis” two parter.

9. “Wrongs Darker than Death or Night” — Perhaps DS9’s weirdest episode as we get a ton of retconning — turns out Dukat and Kira’s moms were lovers 20 years earlier?! — and some very odd and questionable use of time travel. It’s not unwatchable, but it seems like an idea that should have been scrapped or reworked.

8. “Move Along Home” — Sisko, Kira, Dax and Bashir get trapped in a board game. It’s almost a TOS homage, but in the way you wouldn’t want to do a TOS homage. Think “Gamesters of Triskelion” for the 1990s.

Allamaraine, count to four; Allamaraine, then three more; Allamaraine, if you can see... this episode. Then I feel very, very sorry for you hearing Sisko sing this in falsetto.
Allamaraine, count to four; Allamaraine, then three more; Allamaraine, if you can see… this episode then I feel very, very sorry for you. Sisko’s falsetto is not to be missed!

7. “Playing God” — Part of the boringness in season two mentioned above, Dax works with a Trill initiate in the worst example of lame Trill episodes. Also, compare serene, above-it-all Dax from season one with what we see in this crapfest.

6. “The Emperor’s New Cloak” — Not as unwatchable as some on list, but simply inexcusable given that it was the final chapter in the mirror-universe subset and that it’s so contrived, ham-fisted and ridiculous. “Remember what Captain Sisko once told us … ” Yuck.

5. “The Muse” — Something about Jake and an alien who draws energy from him as a writer and a weird Lwaxana subplot. Honestly, it’s probably DS9’s most boring episode and I don’t remember what happened that well because I might have watched it twice.

4. “Let He Who is Without Sin … ” Worf, Dax, Bashir, Leeta and Quark go to Risa — and Worf commits an act of terrorism (oh, please) in aiding some weird fundamentalists. If not for one halfway decent character moment for Worf, this would have easily gotten the bottom spot.

3. “Take Me Out to the Holosuite”/”Badda-Bing Badda-Bang” — Sisko, in the middle of the freaking war, trains the entire senior staff to beat Vulcans at baseball. A few months later, the senior staff spends a bunch of time — IN THE MIDDLE OF THE FREAKING WAR — to save hologram Vic Fontaine.

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Thank goodness we found a way to let Avery sing before the finale …

2. “Ferengi Love Songs”/”Profit and Lace” — Awful Ferengi equal-rights nonsense with secret lovers and cross-dressing. Bad creators. Bad.

1. “Fascination” — Lwaxana Troi makes everybody all horny. Really. It’s an episode. Worse, it’s an episode in season three, at a time when DS9 was STARTING to really get rolling.

Why, creators? Why?
Why, creators? Why?

And, drumroll … DS9’s most overrated episode …

“Far Beyond the Stars” — I know that this is a much-loved outing and I give the creators credit for the attempt. But the characters in it are SO over the top, the squabbling is SO relentless and Avery Brooks is just SO bad in the Benny Russell meltdown scene (“It’s in — my MIND!”). Don’t get me wrong, it’s not a terrible episode. But if blows my mind (my MIND!) that it’s on anyone’s top 20 list.

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“It’s in — my MIND!”

Coming later this week …

Voyager. Assuming there are any shuttles still left to get us there.

“What You Leave Behind”

Hope you like CGI ships getting blowed up!
Hope you like CGI ships getting blowed up!

The DS9 crew, aboard the new Defiant, sets out for Cardassia as part of a huge allied fleet set on ending the war.  Back on Bajor, Dukat (still appearing as a Bajoran) has his sight back and returns to Kai Winn, who has discovered how to release the pah-wraiths from the fire caves — and was waiting for his return to do it. Meanwhile, the Dominion learns Damar is alive on the streets of Cardassia Prime, fomenting rebellion. After Damar’s forces cut power to Dominion headquarters, the female Changeling goes bonkers and starts killing Cardassians indiscriminately. This prompts Damar, Kira and Garak to mount an assault on Dominion HQ. By this point, the Federation and its allies have pushed the Dominion and Breen fleet back into the Cardassian system — as the Cardassian ships have switched sides. As Damar’s party gets into Dominion HQ, Damar is killed — but Kira and Garak capture the female Changeling and Garak kills Weyoun. The female Changeling refuses to surrender, telling Kira that the Jem’Hadar and the Breen will fight to the last man. Kira sends a message to the Defiant, and Odo beams down to talk to the female Changeling. He links with her, she surrenders, and he cures her of the disease and promises to take the cure to the Great Link (as she is likely facing jail time for war crimes). Odo also tells Kira that he’ll be joining the Link for good.

There is... another... Weyou... No there's not!
There is… another… Weyou… No there’s not!

With 800 million more Cardassians killed, the war is over, and the papers are signed back on DS9. Worf becomes Martok’s Federation ambassador, Odo will go back to the Great Link, the O’Briens get ready to head to Earth so Miles can be an instructor at Starfleet Academy and Sisko and the gang have one last night out at Vic’s. On the dance floor with pregnant Kasidy, Sisko realizes he must head to the fire caves and stop Dukat and Winn. An empowered Dukat nearly defeats Sisko, but with a dying Winn’s help, he’s able to grab Dukat and fling both of them into the flames. The pah-wraiths are forever trapped and the Prophets save Sisko — but he must stay with them for an unknown amount of time. When the crew can’t find Sisko, he returns briefly and tells Kasidy he has to leave, but that he will return, “in a year … or, maybe, yesterday.” Worf and O’Brien leave and Kira returns from taking Odo to the Gamma Quadrant. Back on the station, Kira’s left in command, with Quark still at his bar, Nog a newly minted lieutenant and Bashir and Ezri a happy couple. The series ends as Kira hugs a mournful Jake while he looks out a window on the Promenade toward the wormhole.

Why it’s important

As the final episode of Trek’s most serial show, a lot of things happen. The war ends, Cardassia lies in ruins, peace returns, the pah-wraiths are banished, Dukat, Damar, Weyoun and Winn all die, Odo returns to the Great Link, Worf heads to the Klingon homeworld, Garak returns to Cardassia, O’Brien leaves for Earth and Sisko essentially becomes a god.

In other words, a lot of ground was covered here. Say one thing for DS9, it didn’t pull punches and closed NEARLY every open question in a whirlwind of a final two hours — and a final eight episodes.

leave_behind_472
“This one’s for my homies trying to reconcile the timing of all these events.”

What doesn’t hold up

The absolute most disappointing thing that the creators botched would have been a character moment. It’s simply inconceivable that Sisko wouldn’t say goodbye to Jake. It was a poor decision not to have a final moment with Kasidy AND Jake. The bond between the Siskos was one of the things that series got right from day one, and to not do it justice in the final episode was simply terrible. Remember that “The Visitor” — in which Jake must deal with Sisko’s sort of death —  is widely considered to be DS9’s best episode.

There are some other odd things about this episode — some of which seem like they might have been editing issues. Some of them have to do with the timing of events — particularly in concurrence with “Star Trek: Insurrection”.

As the episode begins, Sisko and the fleet head to Cardassia. If you figure the amount of time it would take to get to Cardassia Prime amid all the battles,  get the female Changeling to surrender, and get back to DS9, at LEAST a week has gone by. That’s probably overly conservative, but it’s a nice, easy number to remember and it serves our purposes. Now, keep in mind that Dukat and Winn leave for the fire caves around the time Sisko’s fleet leaves. And they’re in the caves during the battle. Stay with me on why that’s important …

After the war is over, negotiations commence and the female Changeling signs the treaty. Then, Sisko gets wind of the fire caves thing that’s happening and heads to Bajor — where Winn and Dukat are just wrapping things up. I’ve got to ask — how long were Winn and Dukat in the fire caves? Based simply on the events of this episode, it had to be at least a couple weeks. That seems just impossible. And other events in Trek make this botched sequence EVEN WORSE.

We didn’t review “Star Trek: Insurrection” as it’s a pretty inconsequential movie based on our site guidelines. But Worf’s presence on the Enterprise-E in that film is sort of explained by hinting that the Dominion and the Federation are negotiating a peace treaty while Worf’s away.

So, in other words, Dukat and Winn are in the fire caves as the Federation fleet gets to Cardassia, battles the Dominion forces, gets the female Changeling to surrender and returns to the station — and while Worf has a zorch and a fun adventure with the Enterprise-E crew. Worf is present for the treaty signing and he heads off with Martok afterward. So, it’s really not a stretch to think that Dukat and Winn were in the fire caves for like a month!

There are easy ways this could have been fixed, BTW. Winn, after sort of banishing Dukat, could have decided to go to the fire caves AFTER the Federation won the war — possibly because she thought she’d never have another chance to undermine Sisko. The pah-wraiths could have had something to do with the timing, too. Or, even better, Worf could have joined the Enterprise-E crew after leaving DS9 but before officially taking over as Martok’s ambassador.

But, as it stands, the only conclusion one can draw is that Dukat and Winn were in the fire caves for at least two weeks, probably much longer. And that is just implausible.

Last minor gripe: The creators also seemed to forget one of the original points of DS9 — getting Bajor ready for Federation membership. This could have been EASILY covered by a line of dialog in the finale’s final moments about Kira getting ready for a ceremony about Federation admission. The scene with Nog and Kira in Sisko’s old office would have been perfect. Instead, that matter is left entirely unaddressed. Weird.

I've been in these clothes for like a month!!
“I’ve been in these clothes for like a month!!”

Final thoughts

OK, so the timing issue clearly bothers me a lot. I think it’s because “What You Leave Behind” was ALMOST so freaking good — and where it was bad, it was bad in places that were SO easily fixable. There’s one other item that I’d put on the list of decisions that I disagree with — though it’s more of a weird choice than a bad one: It’s too bad that the creators didn’t let Damar live and become Cardassia’s new leader. Given everything he went through in the seventh season, it would have been a nice moment to see Damar thanking Sisko, Kira, et. al and telling them Cardassians everywhere owe the Federation and its allies their thanks. Showing a somewhat dystopian Cardassia Prime was an interesting choice — but it’s not the one I would have made.

That said, the finale had some really great moments. Odo’s goodbye to Kira was incredibly well done and O’Brien and Bashir’s goodbye was nicely handled. I also liked Ezri waving goodbye to Worf, in a scene that was an obvious callback to Jadzia waving goodbye to him in “Tears of the Prophets”. (Of course, the lack of Jadzia in any of the flashback montage was pretty ridiculous. The creators probably should have spiked the idea if the best they could do for Worf’s memories was a shot of him smoking a cigar — which he shouldn’t have even remembered — in “Our Man Bashir”.)

Flawed finale and all, DS9 still gets major points for its ambition, its acting and its continuity. While it’s not the most popular Trek series and is even considered a black sheep by some, it was the only Trek show other than TOS that could be considered ahead of its time. Comparing DS9 with “Breaking Bad” or “The Wire” is not a stretch — though the latter two series are, obviously, superior. Compare Voyager with either of those series, and, well, your back might give out like mine just did.

DS9 wasn’t perfect. It had too much Ferengi crap, it was very hit-or-miss until late in the second season and it often bit off WAY more than it could chew. But, it’ll always hold a special place in this Trekkie’s heart.

Coming next week …

A final look at DS9, before we get into Voyager country.

“Extreme Measures” and “The Dogs of War”

Should we, you know, enter his mind. No I just want to do that 'sitting in a chair when you wake up thing' to him first.
“Should we, you know, enter his mind?” “No I just want to do that ‘sitting in a chair when you wake up thing’ to him first.”

Part one: Odo’s back on DS9, and he’s not doing well. Bashir and O’Brien, acting on their plan from “Tacking into the Wind”, lure Sloan (William Sadler) from Section 31. Once they capture him, he triggers a suicide implant, so Bashir and O’Brien use Romulan mind probes to enter his dying mind — which, conveniently, looks like DS9 — to see if they can find the cure to the Changeling disease (bah). The plan generally works, through a bunch of Voyager-style nonsense. But Bashir has to choose between getting all the secrets of Section 31 from Sloan’s mind or escaping in time to save Odo. Or something. What a mess of an episode.

And over here is where I had my Gul Lesset Interrogation Action Playset(tm)
“And over here is where I had my Gul Lesset Interrogation Action Playset(tm)”

Part two: Kira, Damar and Garak take their stolen Jem’Hadar ship to Cardassia Prime for a meeting with some Cardies who say they want to join the rebellion, but it’s a trap, the Jem’Hadar ship is destroyed and the trio must hide in Garak’s childhood home, which had belonged to our old buddy Enabaran Tain. Shortly thereafter, they learn that the Dominion has destroyed all of Damar’s bases. With few other options, Kira, Damar and Garak take the rebellion to the streets. Back on the station, Odo’s cured and is informed that Section 31 infected him way back when to infect the other Changelings — and that the Federation Council is unwilling to share the cure with the Dominion. Oh, and Sisko gets a new Defiant-class ship, which is renamed to honor the ship destroyed earlier in the arc (and allowing existing sets and optics to be used!). At the same time, Grand Nagus Zek (Wallace Shawn, whom we first met in “The Nagus” but who has showed up in numerous Ferengi nonsense episodes) contacts Quark, through a garbled transmission, and tells him he will be the new Ferengi leader. Zek then shows up on the station and tells Quark he actually wants Rom to be the new Nagus (see the garbled transmission above). With Ferengi culture becoming more human, Quark pledges to keep his bar a staple of Ferengi tradition (meh). The episode ends as Sisko, Ross and Martok discuss strategy now that the Dominion and the Breen are pulling back as the Federation can now defend against the Breen weapon. The Federation alliance decides to go on the offensive, in hopes of finally ending the war.

"Busboy, Resistance Leader, Grand Nagus: The life and times of Rom"
“Busboy, Resistance Leader, Grand Nagus: The life and times of Rom.”

Why it’s important

As DS9 draws closer to the end, the plot summaries sort of explain the significance of the episodes. The Dominion pullback is the biggest domino here, as that emboldens the Federation and its allies to try to stick a fork in the fighting.

But getting the cure to the Changeling disease is actually a huge domino, as we’ll see in our next review. Without the efforts of Bashir and O’Brien, it’s likely the war would have lasted a lot longer — as we’ll see.

We also see the end of the Ferengi storylines (mercifully). While the Ferengi characters would often be well used in places (like Quark and Rom’s role in and around “Sacrifice of Angels”), one of DS9’s biggest failings was the thinking that at least two episodes a year had to be Ferengi-dominant, resulting in some of the worst showings the series produced. So, while it’s pretty laughable that the Nagus would have enough power — and enough desire — to change the entire Ferengi culture, apparently based on his experiences in the past seven years, it’s also sort of appropriate.

And it’s a big deal. In the span of about four episodes, DS9 will change the ruler of three major Alpha Quadrant entities — the Klingon Empire, the Cardassian Union and the Ferengi Alliance.

What doesn’t hold up

“Extreme Measures” is just a terrible, terrible episode. Colm Meaney and Alexander Siddig do what they can, as usual. But the premise and the execution are just awful. Sloan’s mind looks just like DS9? Please. Sloan has the exact formula for the cure to the disease affecting the Founders memorized? Ridiculous. Bashir and O’Brien do all of this unsanctioned (aside from some limited notification of Sisko)? Stupid. It’s too bad, because the Bashir/O’Brien friendship was a real strength of DS9, so it’s hard to figure what the creators were thinking on this one. It frankly comes across as low-rent and trite — a combination of TOS budget limitations and Voyager nonsense.

“The Dogs of War” is a better episode, but so much happens in it that it’s kind of a blur — and it doesn’t even get into the Dukat/Winn stuff. Frankly, the creators’ decision again to shoehorn the Ferengi into stories hurts things. It’s also unfortunate that the creators decided that the Ferengi should evolve to be more like humans (and in a ridiculously fast way). I remember watching this episode in 1999 and thinking that somehow, Rom would bring a bunch of Ferengi ships to help the Federation in the series finale — which would have made what happened here a stronger story. But, of course, that didn’t happen. Instead, it’s just more bad-comedy drivel — even if Max Grodenchik puts in a nice performance in his last outing as Rom.

Final thoughts

These two episodes are probably the weakest in the final arc so far, though “The Dogs of War” isn’t really awful. The finale, of course, has some issues — but we’ll get to that later this week.

Coming later this week …

The finale. Duh. I just said that.

 

“When it Rains … ” and “Tacking Into the Wind”

I challenge you all to a bug-eyed look contest. I win!!
“I challenge you all to a bug-eyed look contest. I win!!”

Part one: The Breen weapon from the previous episode is stumping the Federation and its allies. Klingon ships can be adjusted to compensate — meaning the Klingon fleet must take on the brunt of the combat duties. Gowron (Robert O’Reilly) shows up, gives Martok an award and then assumes command of military operations. Meanwhile, Sisko sends Kira, Odo and Garak to help Damar’s resistance effort. While they’re en route, Bashir discovers that Odo has the disease that’s infecting the rest of the Great Link. At Damar’s base, Kira’s group encounters resistance (see what I did there?) from the Cardies, but presses on. Back on the station, Bashir discovers that some medical records for Odo he received from Starfleet were faked, making him and O’Brien theorize that our old buddies at Section 31 were behind the cover-up — and likely the disease itself. Meanwhile, Odo displays the first signs of the disease.

Part two: Gowron is taking big gambles with the Klingon fleet — apparently to bolster his own personal glory — and Sisko backs Worf’s plan (without asking for details) to fix the situation. Meanwhile, Kira and Co.  continue to help Damar, eventually stealing a Jem’Hadar ship equipped with the Breen weapon, despite internal strife among Damar’s band and a deteriorating Odo. Martok refuses to challenge Gowron at Worf’s behest. Then, during a briefing with some nameless Klingons, Worf challenges Gowron’s plan to attack a well-defended Cardassian planet. The two start fighting, and Worf kills Gowron (!) and turns over control of the empire to Martok. Meanwhile, Bashir and O’Brien devise a plan to draw Section 31 to the station, by making them think that Bashir has figured out a cure to the disease.

Is Kira gonna have to choke a b***h?!
“Is Kira gonna have to choke a b***h?!”

Why it’s important

The advancement of Damar’s resistance cell and his development as a character are huge pieces. We’ll talk more about Damar below, though, as much of what happens with him is character-based.

Now, Worf killing Gowron is one of the bolder and bigger moves in any Star Trek series. The two had been friends or enemies dating back nearly a decade and the transfer of power (as done in a way only a Klingon could love) was huge. That Sisko would tacitly endorse Worf’s plan to kill the head of state of an allied empire is pretty freaking amazing. I know the idea is that the Federation is desperate and that Sisko doesn’t really KNOW what Worf’s planning. But still. Damn, Gina.

Some other developments in these two episodes  — including the Dukat/Winn storyline from part one — are really inconsequential in the big picture, or, at most, incremental. But the Section 31 plan to commit genocide on the Founders is pretty freaking huge. There’s some goofiness with the plan and how Bashir and O’Brien figure it out, as we’ll discuss.

Now hand me my pimp hat and pimp chalice.
“Now, hand me my pimp hat and pimp chalice.”

What doesn’t hold up

Let’s talk about how Bashir learns Odo is infected. It all starts when he requests some medical records from when Odo was scanned during his trip to Earth in “Homefront”. Why wouldn’t Bashir — who’s had access to Odo for seven years — have his own scans? There have been times when Odo was really sick and Bashir was trying to help him. Wasn’t he scanning Odo while he was treating him?

Speaking of which, why would the comparison scans matter? Remember that Odo was turned into a human as a punishment by the Founders back in “Broken Link” — a time Bashir was taking a TON of scans of Odo, BTW — and was left with virtually no Changeling stuff in his body. Then, in “The Begotten”, a dying baby Changeling merges with Odo, making Odo a Changeling again. In other words, would the scans taken before Odo lost his shapeshifting abilities be at all helpful? I know there’s the whole bit about “the drop and the ocean” or whatever when it comes to Changelings and the Great Link, but it doesn’t sound like Bashir wanted to study Changelings. He wants to study Odo specifically. And, if so, the scans from “Homefront” should be of no help to him.

Last thought on this point. It’s a little convenient that Bashir and O’Brien are so accurate in guessing that Section 31 was behind the disease. Their supposition certainly makes sense, but they operate on no real proof. What if, after all their sleuthing, someone else had been behind the disease?

Meanwhile, there are a lot of weird little things in these two episodes.

— Kira’s education of Damar’s dudes seems extremely basic, considering that most of the Cardassians should have known how a resistance works based on the recent war with the Bajorans. Shouldn’t they have known how autonomous cells operate and why?

— Speaking of Damar’s resistance, does it seem strange to anyone else that he, Kira, Odo, Garak and Rosot (John Vickery) all go on the mission to steal the Jem’Hadar ship? That would be like George Washington taking his four top advisers to steal a British naval vessel. It’s more likely that some underlings would have been assigned to do it. We’ve talked about this issue before with DS9, though.

— Martok mentions, early in part one, that 1,500 Klingon ships will start raiding Dominion targets, and it’s then said that they’ll be outnumbered 20 to 1. Considering that no reinforcements have come from the Gamma Quadrant — and that the loss of 2,800 Dominion ships in “Sacrifice of Angels” was a big deal — how do the Dominion and the Breen have 30,000 ships? If the Breen, on their own are so formidable, why haven’t they done something on their own, previously? No, this is another example of DS9’s creators amping up the stakes unnecessarily. Why not simply say 10 to 1, or even 5 to 1?

— Gowron is too stupid for words in these two episodes. It’s a shame, because the end result is interesting — but making Gowron look like a total moron wasn’t necessary.

Can you tell me if it was a Section between 30 and 32 that did it?
“Can you tell me if it was a section between 30 and 32 that did it?”

Final thoughts

The Dukat/Winn stuff, in which Dukat goes blind because he reads the forbidden Bajoran texts, was just filler. The Damar/Kira story is probably the strongest of the arc at this point, even if it’s more character-centric, as Damar is making huge leaps as a character. His decision to kill Rosot (in a great scene on the captured Jem’Hadar ship) was a huge indicator of where he believes he needs to take Cardassia. Kira calling Damar out about killing innocents in an earlier scene was wonderful — and Garak telling Kira that she was right to say it was a brilliant decision by the creators. For all three characters, we see just how far they’ve come.

Coming next week …

One of the strangest episodes of DS9, as Bashir and O’Brien have their last buddy episode — INSIDE SOMEONE’S MIND?