Voyager comes across a Hirogen space station where holographic prey rose up and killed almost all of their oppressors before escaping. Realizing that the holograms were the result of holographic technology Voyager gave the Hirogen back in “The Killing Game”, Janeway decides to help the Hirogen hunt the holograms, who are made up of recreations of Alpha Quadrant races. They steal the Doctor’s program, and initially convince him to join their cause — to the point where he betrays Janeway to help their ship escape. In the process, the hologram leader Iden (Jeff Yagher), a recreated Bajoran, abducts Torres to complete a self-sustaining holo-generator that he plans to put on a planet that humanoids can’t live on. The Doctor goes back and forth as far as believing Iden until he finally sees Iden wants to start a religion with him as a messiah and after he kills two innocent people and then — in the episode’s most over-the-top moment — sets up the Hirogen to be hunted by the holograms. Eventually, the Doctor kills Iden (using the largest gun I’ve ever seen on Star Trek) and Janeway lets the other holograms go on their way.

Why it’s important

Well, we’ll start with the good. This episode does pave the way for the hologram rights stuff that’s the biggest continuing plot line in season seven. We’ll see more in “Author, Author” in our next review. Beyond that, it’s good (if you don’t think about it too hard) that the Hirogen pop up again and Janeway’s decision back in “The Killing Game” is shown to have some bad consequences. Looking back, we probably should have reviewed that two-parter. Oh, well.

What doesn’t hold up

The biggest problem is that the Hirogen shouldn’t be anywhere near Voyager at this point. The Hirogen aren’t shown to have transwarp capabilities (they come across as primitive in many ways) so it’s unlikely that Voyager — which has moved about 30,000 light years since we last saw the Hirogen in season four — would be in Voyager’s current flight path. But, then, this is Voyager, so I should probably just shrug it off.

Beyond that, the episode takes Iden from an interesting and multi-layered half-villain to a megalomaniac to a revenge-thirsty bore. I could have swallowed the idea that he thinks he should be the center of a new religion, but it would have been more interesting if he had been somewhat forced to send the Hirogen to the planet, where the holograms would have fought them. The irony should have been that he had to make the hunters become the hunted, as opposed to him getting his jollies from it.

Janeway also sort of washes her hands of the situation too easily as the episode ends, particularly as torn up and dead set she was about fixing things earlier. With Iden gone, she sort of leaves the holograms with the recreated Cardassian engineer Kejal (Cindy Katz) in charge. There’s no real guarantee that Iden was the only problem (the episode sort of shows that he wasn’t) and that the Hirogen will actually stop hunting them (despite some fast talk from Neelix that is viewed as a solution).

In a couple stray items, it was ridiculous that the holodeck recreation included a Borg drone, who apparently works with the other Alpha Quadrant holograms. And there’s a weird line from Chakotay in part one about how trading technology is something Voyager had to do to survive in the Delta Quadrant. Must have been a directive after the Kazon years …

Final thoughts

There’s some good stuff here, mostly because Janeway does some important self-reflection and because Picardo, Mulgrew, Dawson (in good interchanges with Picardo and the holograms) and Yagher, in his portrayal of Iden, bring their A games. I’d even say it was a very good episode, despite the continuity issues, if not for Iden’s trip into goofiness as the episode ends.

Coming next week …

More holographic rights in our second-to-last Voyager review.

Starfleet, working through the Pathfinder project, establishes regular contact with Voyager every 32 days. The Doctor gets a letter from Barclay telling him his creator, Doctor Lewis Zimmerman (also played by Robert Picardo) is dying of some weird illness. The Doctor convinces Janeway to send him to the Alpha Quadrant to use some of his mad Delta Quadrant skillz to treat Zimmerman. Upon arrival, Zimmerman is an old crank and the Doctor can’t get through to him. Barclay calls on Deanna Troi — was Marina Sirtis really hard up for a paycheck in 2000? — who stops by to help, yet again. After that doesn’t work, the Doctor’s matrix starts failing, forcing Zimmerman to fix him — and then, the Doctor saves Zimmerman. Of course, it was a ploy cooked up by Barclay and Troi, but the Doctor heads back to the Delta Quadrant having formed a sort of bond with his creator.

Why it’s important

The big picture item is that Starfleet and Voyager now have REGULAR contact. That’s a huge deal that will play out throughout the rest of the series. The Doctor/Zimmerman plot, while not bad, is really secondary as far as the tapestry is concerned. Interestingly, this episode was co-written by Picardo.

What doesn’t hold up

The biggest problem is that Voyager changed the Zimmerman character from the last and only time we actually saw him, on DS9’s “Doctor Bashir, I Presume”, in which Zimmerman travels to DS9 to consider using Bashir as a template for a new EMH and acts an awful lot like Voyager’s doctor. The thing with Bashir doesn’t pan out, but Zimmerman, in the episode, is portrayed as a crank and recluse who is very different than the guy we met on DS9 — and don’t get me going on Zimmerman saying he hasn’t left Jupiter Station (where he lives and works) in more than four years, when he traveled to DS9 about three years earlier. Why, Voyager? Why? You don’t need to be this sloppy. Why not just say “almost two years” instead of “more than four years”?

Bigger picture, this is just classic Voyager — in which the creators THOUGHT they needed to disregard continuity for good drama. Sure, you could argue that making Zimmerman a crank makes him more of a foil for the Doctor. But, really, it just comes across as sitcom fodder. A more complex relationship between the two could have been done with Zimmerman’s stated motivation (EMHs like the Doctor were considered failures) without making him seem like the neighbor in a ’70s comedy. Worse, Robert Picardo (playing double duty) almost pulls it off, but the episode just comes across as too ham-fisted. There’s a throwaway line about how Zimmerman’s condition is affecting his personality — but that’s a real stretch.

Finally, one wonders about the Voyager crew members who had to sacrifice their first letters home in years because of the Doctor’s trip to the Alpha Quadrant. And I guess it was a good thing that no medical emergencies happened in the month between transmissions. Tom Paris, M.D., to the rescue?

Oh, and this is the second of three Voyager episodes that Sirtis shows up on in about a year. It really comes across as the creators throwing her a bone/paycheck.

Final thoughts

I did like the scene in which Janeway and Chakotay discuss how to respond to a Starfleet query about casualties the crew has encountered, their overall journey and the Maquis. It was a necessary discussion — one that wasn’t had in “Message in a Bottle” when there really wasn’t time — and one that, of course, is never followed up on. One thing’s clear: Continuity in Voyager got worse as the series dragged on. And that’s saying something.

Coming next week …

Can the Borg dream? And, if they do — can they dream of a civil war that will have no lasting effects? Well, it’s Voyager, so you betcha.

Back on Earth, our old buddy Lt. Barclay (Dwight Schultz) is struggling with his life since leaving the Enterprise. He’s working on a big project aimed at establishing contact with Voyager — and he’s also recreating the crew on the holodeck, a throwback to his holodeck issues back when we first met the character in TNG’s “Hollow Pursuits”. Deanna Troi visits him to help, and he tells her about his efforts to defy orders and use an unorthodox approach to make contact. After some drama involving Starfleet and Admiral Owen Paris (Richard Herd) — Tom Paris’ father — Barclay goes against orders with his method and eventually makes brief contact, offering a glimmer of hope to the stranded Voyager crew. He also saves his career in the process.

Why it’s important

As Voyager wound down as a series, contact with the Alpha Quadrant became more commonplace. Of course, the fact that Voyager was still out there was passed on in “Message in a Bottle” two seasons earlier, but this episode provides more hope for Voyager’s safe return. Later in the sixth reason, regular monthly contact will be established.

What doesn’t hold up

There’s really only one flaw in this episode’s logic, and it’s that Starfleet would have any idea about Voyager’s location since “Message in a Bottle”. The ship has jumped ahead a few times — 10 years in “Timeless”, 20 years in “Dark Frontier” and smaller jumps in “Night” and “The Voyager Conspiracy” —  so one would expect that Barclay and Starfleet wouldn’t be looking for Voyager where they found the ship.

That said, the only other problem here is that Voyager’s best episodes often involve going outside the normal routine of the ship itself — sometimes by showing Alpha Quadrant happenings or by having episodes that are what-if scenarios (like “Timeless” and “Living Witness”). It’s almost as if the way the creators decided that the frame for the series didn’t work that well (huh) and that they occasionally would have to set up situations that didn’t fit in the normal framework to be more compelling. One wonders why the creators didn’t just pitch that framework (other than adding Seven of Nine to the cast, in season four) and try to do something different in a bigger-picture way.

Final thoughts

Schultz and Marina Sirtis do a nice job in this episode, and it’s totally understandable and in keeping with the Barclay character that he would relate to the Voyager crew’s loneliness. That he becomes a recurring character over the next season and a half — even playing an important role in the series finale — is significant and also telling. Granted, Worf and O’Brien were directly taken from TNG to DS9, so the practice here wasn’t unprecedented — and it isn’t totally problematic. But it is interesting that with such a wide array of characters and a strong cast (as much as the Janeway character is portrayed poorly, Kate Mulgrew was rarely the problem) the Voyager creators needed to pull from TNG.

Coming later this week …

More from the Alpha Quadrant. More Barclay, more Troi and twice the Robert Picardo.