A fleet of Klingon ships appears at DS9, motives unclear. Sisko’s not sure what to do, so he asks Starfleet to let him borrow our old buddy Worf to figure out what the Sto-Vo-Kor is up. Worf has been on extended leave since Will Riker got the Enterprise-D destroyed and is now considering leaving Starfleet. On the station, he learns that the Klingons are planning to invade Cardassia because they think the civilian leaders who have taken over Cardassia — after the fall of the Obsidian Order — are actually Changelings. Starfleet won’t back the invasion, so Chancellor Gowron (Robert O’Reilly) ends the alliance between the two powers and asks Worf to join him. Worf refuses — setting himself up to be a pariah again — and Sisko works with Gul Dukat to save the Cardassian leaders. Sisko gets the Cardassians to DS9, but a large Klingon fleet attacks, only to be met with upgraded station weapons Starfleet set up in anticipation of a Dominion attack. A crazy battle ensues, but Sisko and Worf eventually convince Gowron to back off. Unfortunately, the Klingons were able to seize several Cardassian colonies, making them bigger players in the region. Worf, without a ship or empire to return to, decides to stay on the station, as the new strategic operations officer. Oh, and DS9 isn’t going anywhere, or something.
“Hmmm. Well, this certainly beats ‘Voyager’.”
Why it’s important
Well, let’s see. A few things happened in this episode, didn’t they?
1) The Klingons start a war with the Cardassians and become entrenched in the area. The war further destabilizes a faltering Cardassia.
2) The Federation-Klingon alliance — which was in place for more than two decades, possibly more — ends. And it sets up conflict between the two powers.
3) The Dominion threat is further shown, especially in the way the threat of Changeling infiltrators has caused paranoia in the Alpha Quadrant. While the Cardassian leaders are found to be the genuine articles — at least, as far as the blood test thing goes — we learn later that one of the key Klingon leaders behind the invasion is actually a Changeling.
4) We see that DS9 is no longer just a key strategic outpost. It’s a FORTIFIED battle station able to defend itself against dozens of ships. Given the crumbling station the Federation inherited back in “Emissary”, the evolution is significant. It’s also somewhat hard to swallow given some comments we heard in “The Search” about the difficulty in defending the station, given its power supply and stationary nature. But, it’s nice to know that Sisko has more to repel an attack than the Defiant and three runabouts.
5) Â And, of course, there’s the addition of Worf. Worf’s presence on DS9 in this episode is important, but his actions there in the seventh season change the fate of the entire empire and really, the Alpha Quadrant and maybe more. We’ll discuss that in later reviews.
“I don’t agree, old man. I think this knife did a great job on my haircut.”
What doesn’t hold up
The battle at the end of the episode was one of DS9’s high points, but it also is kind of odd. The station’s torpedoes were capable of destroying entire Birds of Prey with one shot! That runs counter to everything we’ve seen in previous Trek, when ships could usually take a hit or two before the shields went down.
Also, where the hell is Starfleet security chief Michael Eddington in this episode? I’m guessing the guest budget was at its limit, but not having Eddington around (or even hearing his name, which would have been pretty easy to work in during the battle) when the Klingons board the station doesn’t make a ton of sense. And we see Eddington in later episodes, so we know he hasn’t been transferred.
This episode is a good example — though not the first — of something we see a lot of in latter DS9: It seems like getting to DS9 from just about anywhere in the Alpha Quadrant doesn’t take much time. And that really doesn’t make sense given the idea that the station was set one of Starfleet’s most remote posts. The initial marketing for DS9 was that the station was “on the edge of the final frontier”! Check that clip, people. It’s hilarious. Apparently, O’Brien and Quark were the intended stars of DS9 … ?
Frankly, it’s hard to believe that Worf could have made it to the station in time to help Sisko. Before his arrival, he was at a Klingon monastery. So, either that monastery was really close to Bajor (which seems unlikely) or the Klingon fleet took forever to gather at DS9.
Which begs another question: Why did the Klingons gather at DS9Â in the first place? They didn’t formally ask the Federation for help, so why not simply gather (under cloak) in some place they wouldn’t be spotted on their way to Cardassia? The only explanation is the Changeling in the Klingon upper ranks stopped at DS9 purposefully to try to pull the Federation and the Empire apart. But even that doesn’t make a ton of sense.
Final thoughts
This was probably the biggest “event” in DS9’s history. Even the final episodes weren’t promoted in the way the addition of Worf and the renewed tensions with the Klingons, as seen here, were. Also, this episode really set the standard for space battles — topping even “The Die is Cast”. It’s a remarkable episode as it weaves in so many characters (Dukat, Garak, Gowron) and threads from DS9’s past (or Trek’s past, in the case of Worf). Worf’s addition to the cast, as we’ll see, really worked pretty well, even if it marginalized Kira some in the fourth and fifth seasons.
Coming next week …
We learn that Admiral Cartwright from “Star Trek VI: The Undiscovered Country” is actually Sisko’s father and Leah Brahms from TNG is now a Starfleet commander. Weird, wild stuff, folks.
Retired Kirk, helping christen the new Enterprise-B, is believed killed when a mysterious energy ribbon slams the side of the ship during an unplanned rescue mission. Seventy-eight years later, Picard and Co. must investigate a Romulan attack on a science outpost where one of the survivors of the Enterprise-B rescue, Tolian Soran (Malcolm McDowell) now works. Soran then destroys a nearby star, kidnaps Geordi — thanks to Data’s cowering after installing his emotion chip — and takes off in a Bird of Prey with the Duras sisters (from “Redemption”). Picard and Data figure out Soranâs destroying stars so he can change space stuff and bring the energy ribbon to a planet where it can take him away from it all. The energy ribbon is actually the Nexus, a half-baked trope where âtime has no meaningâ or something. Soran wants to use it to be reunited with his family, killed by the Borg (Soran’s the same species as Guinan). Picard fails in a one-on-one attempt to stop Soran, but he’s swept into the Nexus, where he finds Kirk. The two go back in time and stop Soran, though Kirk is killed in the fracas (more on that in a moment). Meanwhile, Riker does a really lousy job in the big chair (more on that in a moment, too) and lets the Duras sisters destroy the shipâs star drive, forcing the saucer to crash on the planet. No oneâs killed, but the Enterprise-D is wrecked beyond repair, and Picard and Riker beam aboard rescue ships hinting that another Enterprise could be coming soon. James Bond will also be back in âThunderballâ …
“Man. We can’t even escape this movie on horses!”
Why it’s important
Letâs say a random main character from one of the many Trek series got killed — letâs pick Tom Paris from Voyager. That, alone, wouldnât merit a review by this siteâs guidelines, even though Paris was a pretty decent character and (probably) had a lot of fans. But James T. Kirk is James T. freaking Kirk. Heâs a dude who led the Enterprise crew in saving Earth twice, his 5-year mission as captain of the Enterprise was one of Starfleetâs most historic, he can outsmart any supercomputer around and he can change the fate of parallel universes with a really good speech. His death is part of the Trek Tapestry. Heâs James T. freaking Kirk.
Itâs also pretty significant when an Enterprise (or a Defiant, or even a Voyager) gets destroyed. More on just how ridiculous the destruction was in a moment, as promised.
“Good lord. Are we STILL in this awful movie?”
What doesn’t hold up
Get comfortable, people. Because this might be our rantiest review.
First of all, the creators fell back on the trope from the TOS movies that the Enterprise (or the Enterprise crew) is the only entity able to intervene in a crisis. We saw this in four of the first six movies, with varying degrees of plausibility. The idea here that the new Enterprise-B, on a training mission in Earth’s solar system, is “the only ship in range” is laughable — maybe more so than the previous instances. It would mean that Starfleet has no warp-capable ships in the Terran System, home to Starfleet headquarters and Starfleet Academy. Otherwise, one of them would have been “in range” to respond.
Also, itâs weird that the Enterprise-D looks so different since âAll Good Things ⌠“. Some of the changes are improvements, but thereâs no dialog about a refit and it doesnât seem like THAT much time has passed. Also, the use of normal uniforms along with DS9 jumpsuits was kind of strange, but forgivable. Less so is the weird new look Dataâs emotion chip has (it’s grown since “Descent”). But whatevs. If we can be cool with Data’s cat apparently getting a sex change …
Now, there is the strange matter of Kirk and Antonia in the weird quasi-reality of the Nexus. Kirk indicates that he went back to Starfleet shortly after the events we sort of see here — which Kirk says occurred nine years earlier. The Enterprise-B launched in 2293 — less than a year after the events of “Star Trek VI: The Undiscovered Country” — so that would mean Kirk makes Antonia Ktarrian eggs in 2284. But that doesnât make much sense because the events of âStar Trek II: The Wrath of Khanâ occur around that time.
Are we to believe Kirk went back to Starfleet (essentially ending things with Antonia, despite the eggs) and had enough time to get bored and do the soul-searching that we see in the early parts of âWrath of Khanâ? I suppose itâs possible — but the creators could have saved themselves a LOT of trouble if they had simply made the whole Antonia thing occur closer to the date of âStar Trek: The Motion Pictureâ — there were 14 years between the events of the first and second movies — or in the six years between âStar Trek V: The Final Frontierâ and âStar Trek VI: The Undiscovered Countryâ. The second option would have been a good choice, because Kirkâs appearance, uniform, etc., could have been about the same. In other words, they wouldnât have had to explain why 2293 Kirk didnât look like 2285 Kirk (or 2277 Kirk).
The whole thing was poorly done considering weâve never heard of Antonia before and that the creators didnât need to include the whole âgoing back to Starfleetâ thing. Antonia — or a more appropriate lost love, like Carol Marcus — could have been lost in a way that didnât take a giant dump on Kirkâs backstory.
Oh, and considering that Scotty believed Kirk died in the movieâs opening moments, why did he ask if Kirk had come to rescue him when heâs discovered in âRelicsâ during TNGâs sixth season? I suppose you could argue that Scotty was hopeful that Kirk would be found or (and this is a stretch) that the slight degradation of his transporter pattern mentioned in “Relics” included his memory of Kirkâs apparent death. But, really, the answer likely is that Leonard Nimoy and DeForest Kelley werenât down for the minimal roles as Kirkâs companions on the Enterprise-B, so James Doohan and Walter Koenig got the call. Why else would Chekov suddenly know all about medical stuff?
Now, letâs talk about the Nexus. Apparently, Soran does everything he does because heâs desperate to get back to it — and he canât get there in a ship. But, of course, our boy Jimbo was on a ship when he got swept into the Nexus and Soran was (briefly) in the Nexus and got there when he was on a ship (so was Guinan). Of all the dumb points of this movie, this is the one that could have easily been explained. A simple line about how being on a planet was a surer bet to successfully get into the Nexus would have covered it. Maybe Soran was simply shoring up his chances.
Then, thereâs the whole matter of what itâs all about to BE in the Nexus. At times, itâs written as a sort of super-holodeck, where nothing is real and your greatest fantasies can come true. Picardâs fake family is proof of that and he uses the fact that the Nexus isnât real in his attempt to recruit Kirk. Kirk learns the hard way that the Nexus isnât real when he makes a jump with his horse and feels no fear — fear he would have felt had the jump been made in real life.
So, the Nexus allows you to recreate your past or create something completely new — again, like a super holodeck. And thatâs all well and good, as far as it goes.
But then, Picard and Kirk stop using it as a holodeck. It becomes, essentially, a time portal that our heroes use to go back to a few minutes before Soran launches his rocket, figuring two against one will yield a different result (which it does). What I canât figure out is why this use of the Nexus deposits Picard and Kirk in the ârealâ world near Soranâs launcher while Kirk was in a fake world when he was back with Antonia.
If the Nexus allows time travel, then Kirk should have been in the real world with Antonia (Picardâs situation is somewhat different, because he doesnât actually go back and relive events that truly happened). But hereâs the thing — if the Nexus works like a holodeck, then Kirk and Picard didnât really stop Soran. They only thought they did in some sort of dreamworld, and Picard goes on living in that dreamworld and Kirk DIES in the dreamworld! And if the Nexus truly allows for time travel, then Kirk should have been back with Antonia in the real world. Whatâs really sad is that there was a better way to handle all of this — and it starts with making the Nexus a time portal and not a super holodeck. Hereâs how âŚ
After they enter the Nexus, Picard and Kirk could have really gone back in time to some point that they each longed for (which Kirk actually does). This would remove all the Picard family nonsense, which was really poorly done and much too cloying, anyway.
Maybe Picard could have gotten his wish to be back with Miranda Vigo (or another lost love) but realized (while he still has access to the Nexus time-travel stuff) that he needed to leave to save the people on Verdian IV. The drama would have been whether Picard is capable of making such a sacrifice — and it would have been compelling, particularly since he learns his brother and nephew died at the beginning of the film. He would have to pick duty over everything else.
To bring Kirk into the equation, Picard would have to somehow learn that Kirk was also taken back in time by the Nexus. Picard would have had to figure that Kirk, like him, would sacrifice his own happiness for the lives of millions of people. Picard would then find Kirk, ask him to come with him and then, the two could have stopped Soran.
To be sure, a lot of details would have to be figured out. But removing the âisnât realâ aspect of the Nexus would have made the movie MUCH more dramatic because Kirk and Picard would have had to make REAL sacrifices instead of just shrugging off weird fake versions of their lives. In the scenario Iâve outlined, the sacrifice is greater — and the willingness of both of them to make the sacrifice as a matter of duty would have been a more interesting connection. Both guys who were smarting over a lack of family would have had to pass up REAL families and not just some fake versions.
Thereâs also the whole matter of the Guinan âecho.â Guinan met Picard in the 19th century (in âTimes Arrowâ) so the 23rd century version who was briefly in the Nexus would know who he is. But would 23rd century Guinan know enough to give Picard the crucial info he needs to recruit Kirk? I can buy an echo of Guinan in the Nexus — beats hanging on the set of âThe Viewâ — but how does she know what she knows? Do we just chalk it up to Guinan-ness?
Last point about the Nexus: Even if we could reconcile the Nexus as some sort of super time-traveling creation/super holodeck, why did Picard choose to go back to a point when he and Kirk would have such a difficult time stopping Soran? Why not simply go back to Ten Forward when he met Soran and have Data and Geordi help escort Soran to the brig? Clearly, that negates the need for Kirk, but still. I bet poor Geordi would have liked Picard thinking of a way to keep him from getting tortured by Soran and the Klingons.
As for Kirkâs noble sacrifice, it really falls pretty flat (no pun intended). So, the main hero of Star Trek dies because he needs to jump for a control pad on a creaky bridge? Itâs really weak sauce. His âoriginalâ death saving the Enterprise-B was way, way, way more appropriate. And the unreleased death (where Soran shoots him in the back) might have been better, too. It sure would have made Picard burying him at the top of a peak more believable, considering where Picard found Kirk (in a ravine) in the version that was actually released.
Now, letâs talk about the destruction of the Enterprise-D âŚ
Before Soran and the Klingons return Geordi (in exchange for Picard, or something), Soran lets the Duras sisters see everything Geordi sees through his VISOR. Why they can see normally has always made me pause — shouldnât they see something more akin to what we saw way back in âHeart of Gloryâ or âThe Mindâs Eyeâ? — but whatever. Iâll grant the movie that detail.
Geordi eventually heads to engineering, where the Duras sisters get a glimpse of a panel that shows the Enterpriseâs shield frequency. They tune their torpedoes to said frequency and start blasting through the shields. Now, sure, maybe they get a couple shots in before Riker and Co. figure out whatâs happening — and maybe things would have made sense if one of the first shots caused a core breach or took out a nacelle or something.
But Riker, Worf, Geordi and Data just act like morons over the next few minutes. These are the dudes who took down a Borg cube and dealt with shield modulation for eight hellish days — in which it looked like the Federation might be reduced to nanites. Youâd think modulating the shields would be like their go-to freaking move.
But what do they do when Lursa and BâEtor find a way to penetrate their shields but not damage the ship enough to where itâs a huge problem immediately? Almost nothing. They donât remodulate the shields. They donât head directly to the sistersâ ship and fire all weapons at a vessel that shouldnât be any sort of match for the Federation flagship (shields or no). And they donât warp out of orbit, with plans to return once they figured out what was going on.
Instead, Riker, Data, Geordi and Worf let the ship get pounded for several minutes while they come up with a way to trigger the Bird of Preyâs cloaking device and then fire at it with its shields down. Maybe this would have been an OK idea if — while Data was doing his thing — Worf and Riker had just started pounding the Bird of Prey or warped away for a few minutes. But to let the Enterprise continue to get pummeled? WTF, Will? Maybe Commander Shelby was right about you all along.
Of course, the last Klingon torpedo triggers a (slow-moving) warp-core breach, everyoneâs evacuated to the saucer and the force of the explosion sends the saucer careening toward the planet. The saucer lands — in a cool visual scene, FWIW — but the events leading up to it are just stupid. Riker should have been drummed out of Starfleet for his performance in this movie and Worf and Data with him. Maybe Geordi, too.
There are countless ways in which the Duras sisters could have destroyed the Enterprise in a plausible manner. In addition to making their first shot more catastrophic, maybe they had procured a more powerful Klingon vessel (like Gowronâs from TNG) instead of their creaky Bird of Prey. At least then the shield thingy and the more powerful weapons could have realistically destroyed the Enterprise. There were still things Riker could have done, but his options would have been more limited.
Lastly, does anyone else ever cringe when Kirk and Picard talk about retirement? Picard is about 65 years old in 2371 and Kirk was about 60 in 2293. So, Kirk is talking about being put out to pasture to a dude who fights Romulans, Borg and Sonâa well into his 70s. I guess Starfleet was cooler with older captains in the 24th century.
Final thoughts
Oh, âGenerationsâ. I donât think thereâs ever been a Star Trek movie that had such high expectations. It was released when the franchise was arguably at its peak — but it really didnât get the job done. There are way too many logical gaffes and the Enterprise-B captain (Cameron from “Ferris Bueller’s Day Off”) is just one of the worst plot crutches that I can think of — even if the opening scenes on the Enterprise-B are the strongest in the film.
Beyond that, the central concept of the movie — the Nexus — is just too flimsy and ridiculous. I think âGenerationsâ is better than some of the other films — âInsurrection,â âNemesisâ, and âFinal Frontier — but it is probably the most disappointing of the Trek movies.
Coming later this week …
The TNG cast and creators prove they can make a good movie.
“I am Kahless, and I have returned. But I’ve lost my voice-impersonation skills.”
Worf, struggling with a crisis of faith, visits a Klingon monastery. While there, Kahless (Kevin Conway), the Klingon messiah introduced (sort of) back in TOS’s “The Savage Curtain”, appears. It’s a time of much rejoicing, but Klingon Chancellor Gowron (Robert O’Reilly) is skeptical and asks that the Enterprise transport Kahless and determine whether he’s the real deal. Genetic scans show he is — but he’s a little off. He doesn’t know what warnog tastes like and Gowron beats him fairly easily in a sword fight. It’s then revealed that this Kahless is a clone, cooked up by clerics at the monastery concerned that the empire has lost its way. Worf, initially despondent, has a talk about faith with Data, and then convinces Gowron to make the clone emperor and disclose his origins. Worf hopes this will unify the empire, but admits that his own faith is not healed.
Will the real Klingon messiah please stand up, please stand up?
Why it’s important
This episode explains Klingon mythology more than just about any other franchise product. Kahless is a Christ-like figure who established the warrior culture that we’ve seen throughout Star Trek. There are issues with that, as we’ll discuss.
But it’s interesting that this episode has less-than-expected results on the future of the Klingons. We never see Kahless again, and he’s only mentioned in passing a couple times (both on DS9, after Worf arrives). The idea was to use Kahless as a symbol with Gowron retaining the real power — and that’s definitely what happens. But given all the Klingon stuff on DS9, Kahless’s absence is noticeable. More telling is that his symbolic presence apparently does nothing to improve the Klingon situation. In DS9’s “Blood Oath” and in “The Way of the Warrior” the same complaints about the empire “losing its way” persist.
Warnog? Really?
What doesn’t hold up
Well, Kahless here looks nothing like the evil dude/voice actor we saw in “The Savage Curtain”. The two characters don’t act like each other, either. I’ve heard the theory that Kahless in “The Savage Curtain” was some sort of version that those weird rock dudes created based on Kirk’s feelings toward Klingons (presumably, Kirk knew the name Kahless and extrapolated the rest — including the voice-mimicking skills). But that’s really expanded-universe nonsense. Basically, Klingons in TOS were bastards with beards who mostly looked human. Klingons in TNG (and beyond) could be treacherous, but were often honorable warriors with bumpy foreheads and long hair. The differences in the two Kahlesses can be chalked up to the differences in how the two series treated Klingons and made them look.
This episode sort of falls in line with the half-assed continuity seen with the Trill and Bajoran transitions from TNG to DS9. All three are well-intended attempts at callbacks that strain so far to fit new story constraints that one wonders if the strain was worth it. Was there really that much value in calling back aliens that appeared in one episode each — in this case, an episode nearly 25 years earlier — when doing so required that what we saw in the initial episode be tossed aside? If it didn’t matter that the aliens changed, why did it matter if they were brought back at all?
Keep in mind that in all three cases, other, similar aliens could have been created. Maybe the messiah in this episode could have been celebrated by another Klingon faith. Maybe the Bajorans could have been replaced by a different species subjugated by the Cardassians. Maybe the Trill would have been replaced by another, similar, joined species. None of that would have been too difficult, and none of it would have hurt the quality of the productions. Only the Bajorans, whose look mostly remained and who were represented after their initial introduction by Ensign Ro (Michelle Forbes) might have been significant enough to bring back even if it required rewriting a lot of backstory. But, then, why not just use the established backstory, or work harder to make all the pieces fit?
I guess my only other real gripe is that this episode — and the “Birthright” two-parter, in which Worf really opens up about Kahless for the first time — sort of retcon the idea of Klingon faith. Worf mentions Kahless to Alexander at one point (though he mispronounces the name) earlier in the series. But up until the sixth season of TNG, Worf isn’t shown to be a man of faith. Neither are any other Klingons.
Final thoughts
This is another episode — really, the last one in the series — that involves the Klingon mini-arc that began back in “Sins of the Father” or perhaps even “Heart of Glory”. Worf has a pretty big voice in Klingon politics and he essentially changes the course of an entire government and could have changed an entire culture, had Kahless’s presence affected more than it did. Of course, Worf’s role in Klingon culture comes back into play in DS9.
This episode suffers from being heavy-handed in spots, but I did like the scene with Data and Worf in the holodeck. It would have been very easy for Worf to get advice from Picard, Riker or even Troi. But picking Data was a nice touch that was handled with great precision. TNG had its flaws and lacked conflict among characters, but it probably knew its characters better than any other series (with DS9 a close second).
Early attempts at ‘Hands Across America’ didn’t go well.
Picard’s former archaeology professor and mentor, Galen (Norman Lloyd) asks Picard to join him on a super-secret mission. It would mean leaving the Enterprise, so Picard passes, and a disappointed Galen moves on. He is later killed when his shuttle is attacked, and Picard takes on the mysterious mission — which seems to be aimed at gathering DNA fragments from various worlds. Soon, the Klingons and Cardassians are involved (they apparently learned of Galen’s mission) and Picard gets the two rivals to work together. After some prerequisite deception — the Cardies try to sabotage the Enterprise and the Klingon captain (John Cothran) tries to bribe Data — they all end up on a lifeless planet, where the last remaining DNA fragment is found. Then, the Romulans show up — they’d been shadowing the Enterprise — and a faceoff appears imminent. As the parties squabble with weapons drawn, Picard and Crusher extract the DNA and it activates an ancient hologram (Salome Jens) who tells the group that long ago her people spread their genetic material throughout space — possibly creating the bipeds we see all over Trek and hinting at the possibility that the races are somewhat related. The Klingons and Cardassians are unmoved, but the episode ends with the Romulan commander contacting Picard, saying perhaps they’re not that different after all.
“This artifact is priceless — but I’ll probably just leave it in the rubble after the ship crashes.”
Why it’s important
One of Star Trek’s biggest conceits has always been that most aliens look (basically) human. Aside from face makeup, Romulans, Klingons, Cardassians, etc., all have two arms and two legs. There are exceptions like the Tholians and the Sheliak. But by and large, Star Trek would be a lot harder to pull off if the aliens were more alien, so the concession is one we have to make, along the lines of the Universal Translator or Brent Spiner’s aging. This episode attempts to explain why a bunch of the aliens look the same. It’s not an ironclad explanation, as we’ll discuss. But this episode, quietly, tries to cover one piece of back story for the entire franchise.
Beyond that, this episode is quintessential Trek as told by TNG. It involves problem-solving, getting feuding aliens to work together, Picard’s ability to think big picture and the hope that the commonalities among the aliens we encounter are more important than their differences. The last shot, where Patrick Stewart plays Picard as both hopeful and amazed after his conversation with the Romulan commander, is just about perfect. In short, there might not be another TNG episode that is so TNG. This has long been one of my favorite episodes of the franchise, as it’s engaging and comes with a message without being preachy.
“Where’s Odo? I mean — we found none, like ourselves …”
What doesn’t hold up
While this episode has a lot of TNG’s strengths, it also has some of its weaknesses. This isn’t the worst example of Fun With DNA (“Unnatural Selection” or “Genesis” wins that award) but it’s in the top 10. It’s also a little too easy at the end that the last fragment would reprogram the tricorder to display the holographic image just as everyone’s got guns drawn. It works dramatically, but it’s more likely that the ancient message would have to be decoded somehow.
This episode also works for TNG, which largely takes place in the Alpha and Beta quadrants in (relatively) close proximity to Earth. But are we to believe that the ancient aliens planted DNA in the Gamma and Delta quadrants? We see bipeds from the Gamma Quadrant (on DS9) and from the Delta Quadrant (on Voyager) and we know from TNG that the Borg are essentially bipeds (a conglomeration of bipeds) from the Delta Quadrant. Maybe I could swallow that the ancient aliens had advanced propulsion, but did they have the time or interest to seed so much of the galaxy? The point is left vague as to whether all of the bipedal aliens descend from the ancient aliens, or if only some did.
Also, I’m not sure why Galen didn’t just ask Picard to help him and use the resources of the Enterprise. Galen was clearly concerned about the dangerous implications of his findings — and it’s unlikely that the Federation would have refused him (particularly if Picard vouched for him). It sets up for the drama of the first act and the mystery leading up to the conclusion, as Galen would have likely clued Picard in at some point if they were working together. It’s possible Galen didn’t want the Federation or any paramilitary organization to be part of his discovery, but he never says anything like that. And hell, the Enterprise does in a few days what Galen says would take several months!
Final thoughts
Complaints aside, I still really love this episode. It’s Picard at his best, and the guest actors are really pretty great. It’s interesting that Salome Jens shows up here as the female in the holographic projection, considering her next role is as DS9’s worst villain, the female Changeling. If this were further in Trek history — the Dominion doesn’t really pop up for another year or so — one might wonder if this were just an elaborate Dominion trick. đ
Coming next week …
The Klingon messiah returns. But is he still hanging with Genghis Khan?
A big moment. Too bad it likely inspired “Flashback” on Voyager.
Part I: Starfleet learns Spock is chillin’ on Romulus, and no one knows why. Hoping for some answers, Picard visits Spock’s dad, Sarek (Mark Lenard) who’s dying and whom Picard mind-melded with a year earlier to help Sarek fulfill his last mission as an ambassador (in “Sarek”). Sarek points Picard in the direction of Pardek (Malachi Throne) a Romulan senator Spock has known for years, and Picard and Data, masquerading as Romulans, head to Romulus on a cloaked Klingon ship. Meanwhile, Riker leads an investigation about some parts of a stolen Vulcan ship or something. Shortly after arriving on Romulus, Picard and Data meet Spock — and Trekkers’ pants everywhere got a little tighter.
Part II: Spock tells Picard he is on Romulus to try to reunify the Vulcan and Romulan peoples, as they share common ancestry (see “Balance of Terror”). Picard is skeptical, but Pardek is apparently making some inroads for Spock with Neral (Norman Large) the new Romulan procounsel. We then learn that Neral is working with Sela (Denise Crosby, reprising her role from “Redemption”) on some sort of nefarious plan (thunderclap). Their idea is to send an alleged peace delegation to Vulcan that really is an invasion force. Picard, Data and Spock foil the plan and a warbird destroys three stolen Vulcan ships — one of which was the one Riker was trying to find — carrying the invasion force in front of the Enterprise. Despite the setback, Spock stays on Romulus to continue the reunification efforts — but not before mind-melding with Picard to share Picard’s connection with Sarek.
“That’s right, Captain Picard. I’m in this episode, too. I’m not sure why — but I am.”
Why it’s important
Interestingly, the effects of this episode don’t really show up again aside from one other episode (“Face of the Enemy”) until the rebooted “Star Trek” in 2009. Spock’s actions to bring peace to Romulus led to the planet’s destruction, which causes renegade Romulan Nero to alter history in that film. But you could argue that Spock’s actions here pretty much negate everything we saw on TOS, the movies, TNG, DS9 and Voyager (and this site). Only Enterprise and the two JJ movies would not be erased.
This episode is important as it (sort of) explains the Vulcan/Romulan backstory. Some of it really doesn’t make sense, as we’ll discuss. But some of it does — and we at least understand more of the differences between the two races. We also see more of the Federation-Klingon-Romulan triangle here. Interestingly, Spock references his role in the peace treaty with the Klingons — something that Trek viewers didn’t know about yet. These two episodes premiered in early November 1991, while “Star Trek VI: The Undiscovered Country” — which details the peace process — premiered in early December of that year. That didn’t tip things about the Federation being at peace with the Klingons — we’d known that since at least season one of TNG — but it was a small reveal about what the final TOS movie would cover.
Probably most importantly, though, is the fact that this episode is really the first big-time crossover between different Trek franchises — and it spurred many, many others.
Between fall 1987 and fall 1991, the only real crossover between TOS and TNG was DeForest Kelley’s appearance in “Encounter at Farpoint”. No other episode, or “Star Trek V: The Final Frontier”, which came out in 1989, was a crossover — and only a few episodes featured any connections between the two series, other than the basic premise that underlies Star Trek. Maybe, after “The Naked Now” was such a dud, the creators were gunshy?
But that all changed after this episode (and, to a point, in “Sarek”). Michael Dorn shows up in “Star Trek VI”, playing his grandfather (and Kirk and McCoy’s lawyer during their trial). The first episode of DS9, which aired about 14 months after “Unification”, involves a handoff from TNG, and the first episode of Voyager in early 1995 involved a handoff from DS9. DS9 had episodes about the mirror universe, first seen in “Mirror, Mirror” and even visited the original Enterprise in “Trials and Tribble-ations”. Voyager featured a flashback episode to the events of “Star Trek VI: The Undiscovered Country” and on and on.
In other words, this episode was most important as a creative launching point than within the Star Trek universe — which is amazing considering what it actually covered in the Star Trek universe.
“I’m on an urgent mission from the Federation. Where can we find a Romulan female to lick the paint off Commander Data’s ears?”
What doesn’t hold up
Part I is mostly fine. It’s hard to believe that if it’s so easy to get into Romulan space, that the Klingons wouldn’t just send a cloaked armada in and start destroying everything. There are later mentions of how groups of cloaked ships can be somewhat detectable — and how there are listening posts that might detect cloaked vessels or something — but I think the whole thing is just sloppy writing. And I’ll avoid the whole Universal Translator discussion.
Part II is really the problem.
The subplot with the Enterprise was honestly pointless. The business with Riker and Worf at the bar and dealing with the Zakdorn bureaucrat, etc., was needless filler. The Enterprise’s awareness of the stolen Vulcan ship really didn’t advance the story. But whatever — maybe they needed padding because Nimoy didn’t have time to be in more scenes.
The stuff on Romulus while more significant, was pretty implausible. Here’s a quick list of the problems:
1) Why did Picard and Data remove their Romulan disguises when they knew they’d likely return to the surface? Still looking like Romulans could have really been helpful.
2) How did Spock, after his first meeting with Neral, just walk out of the procounsel’s office without an escort? It seems like he’s just planning to stroll through the government offices — despite the fact that he’s on enemy soil! Spock wouldn’t have had ill intentions, but some out-of-the-loop guards have thought he might.
3) Why did Sela (in typical, bad-villain style) explain the entire plot to Picard, Data and Spock — and why didn’t she kill them (or incapacitate them) when Spock refused to cooperate? Why did Sela even leave an accessible computer in the procounsel’s office?
4) Why did the Romulans send the stolen Vulcan ships through the Neutral Zone at Warp 1? They might have made it to Vulcan in about five years at that speed — unless the Neutral Zone is really, really small, which would seem to defeat its purpose.
5) Why did the Romulans think that a few thousand Romulan troops would have conquered a planet with (presumably) billions of inhabitants? Couldn’t a ship in orbit have keyed in on all Romulan life signs and beamed them into holding cells?
6) Why did the Romulans steal the Vulcan ships at all? It’s not as if doing so disguised the fact that the ships were coming from Romulus. As far as I can tell, the Vulcan ships are part of the story just to give the Enterprise something to do while Picard and Data go to Romulus.
7) For a society as paranoid as the Romulans, how did Picard and Data avoid being scanned and detected while on the planet? And how did Spock walk around for weeks (maybe longer) without the normal Romulan forehead ridges? How did the Klingon ship use its transporters while cloaked when the Defiant (later, on DS9) never could?
Probably my biggest gripe, though, is the idea that Spock would have enough interest in and knowledge about unifying the Vulcans and Romulans considering that the Federation isn’t supposed to know much at all about the Romulans. How would he have the basic understanding to determine whether reunification was possible — or even worthwhile? Even if you throw out “The Neutral Zone” and all its talk about the Romulans being absent for decades — which the creators basically threw out after that episode — the idea that Spock could have much of a relationship with the Romulans (through Pardek) is laughable. We’re talking about an empire blocked for more than two centuries from the Federation by a large area of neutral space. And by all indications, the Romulans left Vulcan hundreds of years earlier. So, it’s unlikely that Spock would have records of anything to form the basis of reunification or a desire to reunify. Did he just figure it was a good idea? Doesn’t seem very logical.
Final thoughts
If it sounds like I’m being harsh about a couple episodes that are sort of cornerstones of TNG and some of Trek’s most celebrated moments, it’s because I think they’re so deeply flawed (especially part II) and, most importantly, that they didn’t need to be. A few lines of dialog about Spock’s thinking (which could have easily taken the place of the filler with the Enterprise’s investigation) and better writing regarding the Romulans’ plan (maybe Sela wouldn’t have known about the Klingon ship, and Picard, Data and Spock could have beamed there and tapped into the recorded Spock message?) and this episode would have been great BEYOND the nice crossover moments.
As it is, this episode only really gets by on those moments.
Coming later this week …
Those Swedish guys return.
What if a site focused on the really important Star Trek episodes, explained how they were important and how they tied together â while tossing in a healthy dose of snark?