All posts by Paul

1994, 2370, Cardassian, Deep Space Nine

“The Wire”

July 1, 2015 Paul

asdfasdf — So many secrets, so little time.

Garak (Andrew J. Robinson) the Cardassian-in-exile/enigma on DS9 and (sort of) friend of Bashir, starts having medical issues. He enlists Quark to get a piece of technology and sets off alarms when Bashir and Odo learn the item is classified by the notorious Obsidian Order, the “all-seeing eyes and ears” of the Cardassian Empire. Garak tells Bashir that the piece of equipment is a brain implant installed to help him get through torture in his past life as an agent of the Obsidian Order. He’s used it continuously for two years — to cope with his exile — and it’s breaking down. Bashir helps Garak through the withdrawal (and hears varying accounts of why he’s in exile) and eventually heads to see Garak’s old Obsidian Order boss Enabaran Tain (Paul Dooley). Tain helps Bashir because he wants Garak to live out his life in miserable exile on DS9. A recovered Garak, of course, casts doubts on most of what Bashir learned about him during the experience. But Garak’s shadiness is all the shadier afterward.

Why it’s important

This episode isn’t the first time we meet Garak (that was back in “Past Prologue” in the first season). But this cements him as a power player and a key recurring character on DS9. Garak is part of some of DS9’s biggest events over the years, and Robinson was one of DS9’s best actors.

The episode is also hugely important as it introduces the Obsidian Order and Tain. We see Tain again in DS9’s third season and again in the fifth, and his involvement in Alpha Quadrant dealings with the Dominion is hugely significant. More on that in future reviews.

One other small point. This is a nice episode in further establishing Odo’s credentials as someone who’s seriously plugged into events and information in the Alpha Quadrant (with a special emphasis on Cardassia).

What doesn’t hold up

The episode suffers from trying to get some of the regular cast involved where they’re not really needed. The scenes with Sisko, Dax and Kira are just completely superfluous, and the scene with O’Brien isn’t much better. Beyond that, Bashir’s interest in Garak’s problem early in the episode isn’t handled that well. Bashir became one of DS9’s stronger characters — and the transition was starting in season two. But you can still see some of the annoying qualities that made eyes roll in the first season and half of the second.

Last point — and this is kind of minor — DS9 often tried to make foreign spy agencies/governments appear more ominous than they could have possibly been. Tain knowing so much about Bashir was just hard to swallow. The implication is that DS9 is filled with spies taking note of minor information all the time.

SDFASDF — “Do you have any idea how much time Armin and I spend with the makeup people, Siddig?”

Final thoughts

This isn’t a great episode, but it’s a good one that puts some key things in place going forward. While we don’t learn here — and never fully learn — why Garak is in exile in the first place, we learn that he was a spy and a key operative in one of Cardassia’s most notorious organizations. That makes his “man of many talents” schtick work, to say nothing of his general cageyness.

Garak and Tain (though he shows up only a few times) were really great supporting characters on a series that would go on to be filled with great supporting characters. As mentioned in our last review, DS9 starts to get its footing in the final third of the second season because it puts so much in place for what we would see later. This episode is a huge domino.

Coming next week …

We return to the mirror universe in one of DS9’s classic episodes.

1994, 2370, Cardassian, Deep Space Nine, Maquis

“The Maquis”

June 28, 2015 Paul

"Cal, you've come a long ways since your days with those nerds at Tri-Lamb" — “Cal, you’ve come a long way since your days with those nerds at Tri-Lamb”

The destruction of a Cardassian freighter near DS9 is learned to have been caused by Federation citizens turned terrorists, calling themselves the Maquis. The citizens opted to stay on planets given to the Cardassians in a treaty with the Federation — and they’re taking up arms in response to subsequent treatment by the Cardassians. Sisko fears that tensions stoked by the terrorists will cause another war with Cardassia, so he teams up with Gul Dukat (Marc Alaimo) to stop the Maquis. But he learns that his old friend and fellow Starfleet officer Calvin Hudson (Bernie Casey) is one of the terrorists and plans to attack a weapons depot the Cardassians have placed on one of their colonies. Sisko takes DS9’s three runabouts and stops Hudson from attacking the depot, and allows Hudson to escape. Sisko is commended for his actions in preventing a war — but wonders if he simply delayed the inevitable.

"Cal do you know how much these uniforms cost?! I could've returned it for store credit!" — “Cal, do you know how much these uniforms cost?! I could’ve returned it for store credit!”

Why it’s important

If anyone questions’s DS9’s importance in Trek lore, they should watch this two-parter. It’s the first time we see DS9 as a sort of crossroads in galactic politics. It’s the nearest Federation outpost to the Cardassian border, so Sisko and Co. are drawn in — even though it’s unlikely their roles could have been anticipated by anyone when Starfleet set up shop at DS9 a little more than a year earlier.

The Maquis are a huge Trek domino, of course. The events here are set in motion by TNG’s “Journey’s End” and are furthered by TNG’s “Preemptive Strike”. The second season of DS9 and seventh season of TNG are interesting as they’re the most coordinated concurrent seasons in Trek history. With Voyager taking place out of the Alpha Quadrant, this kind of cross-cutting between series never happened again. But, of course, Voyager’s very premise — a Starfleet crew and and a Maquis crew forced to work together on the other side of the galaxy — was set in motion by the events of this DS9 two-parter and the two related TNG episodes.

Beyond that, the Maquis are a major force in DS9. They helped destabilize the Cardassian Empire, which becomes part of the Dominion three years later BECAUSE of its instability. And the guy who forged the Cardassian/Dominion alliance was Gul Dukat … who really comes into his own as a major DS9 player in these episodes. His scenes with Sisko really were incredibly well acted and well written.

Prior to “The Maquis”, Dukat was really a recurring character/Cardassian. His personality wasn’t fleshed out — he was just the former Cardassian prefect of Bajor who appeared on view screens here and there. But this episode established him as a major foil for Sisko and the DS9 crew. One, who for a couple seasons, was an ally. This, of course, was one of DS9’s strengths. No other Trek series was so good at embracing shades of grey. We’ll discuss another one of those shades, Garak, in our next review.

"I've got this aide, Damar, he'd love this Kanar!" — “I’ve got this aide, Damar, he’d love this Kanar!”

What doesn’t hold up

Bernie Casey isn’t great in this episode, but that’s largely forgivable. The biggest problem after that is the issue of scope — something DS9 struggled with early on.

Sisko and Co. must take on the Maquis with the station’s three runabouts. While they are successful in doing so, it’s a really close call — and only works because the Maquis have limited resources. It’s kind of goofy to think that Starfleet wouldn’t have sent a starship to deal with the Maquis. Had that happened, the ship would have pretty easily handled a couple of (well-armed) shuttles — but, then, Sisko and company would have likely been left on the sidelines.

This, of course, is addressed in season three when Sisko brings the Defiant to DS9 to address the Dominion situation. But it’s hard to swallow that Starfleet couldn’t have devoted more resources to diffuse matters with Hudson here. We know there are Federation starships in the general area (as the Enterprise spends much of the seventh season dealing with Cardassian matters).

Final thoughts

I’ve had friends ask me when they should start watching DS9, and I usually tell them that these two episodes represent the turning point. There are definitely some good episodes in the first season-plus — notably, the Bajoran political stuff from the end of season one into season two. But I understand why those episodes don’t have the mass appeal that we got starting in this two-parter.

This is also a great example of the DS9 characters getting their footing. The crew was never going to be as conflict-free as the TNG gang, nor did it need to be (nor was it designed to be). But the over-the-top writing/acting from season one is gone here. The scene in part one where the senior staff is clearly at odds — I love when O’Brien calls Odo out for security breaches — is great. No other Trek series did this kind of thing as well.

Sisko’s growing importance is shown here. He’s not just some bureaucrat tasked with getting Bajor ready for Federation membership. He’s a guy who must deal with terrorist groups and Cardassian reactions (in addition to Bajor). Later, of course, he becomes the guy to deal with the Dominion threat.

Last point. You’ll notice that many of the next several episodes make the tapestry, as DS9 enters a stretch of really consequential stories. You could argue that DS9 becoming more consequential was the key to its improved performance.

Coming later this week …

We finally learn what’s up with Garak. Sort of. Maybe.

1993, 2369, Bajoran, Deep Space Nine

“In the Hands of the Prophets”

June 24, 2015 Paul

A dust up between the Federation and the Bajorans ensues when Keiko O’Brien (Rosalind Chao) starts teaching Bajoran children at the station’s school that the wormhole is not (explicitly) the Bajorans’ celestial temple. Orthodox Vedek Winn (Louise Fletcher) shows up and starts making noise in her bid to become the next kai, after the previous one’s death earlier in season one. Her chief rival Vedek Bareil (Philip Anglim) comes to the station to help mediate, and Winn gets O’Brien’s Bajoran assistant, Neela (Robin Christopher) to make an attempt on Bareil’s life. O’Brien figures out what’s happening in time to alert Sisko, who stops Neela. Kira, who had supported Winn, confronts her, accusing her (rightly) of plotting the whole thing to get Bareil out of the way — though Neela later says she acted alone. This sets the stage for Winn to be a manipulative power player and enemy to the Federation going forward. The event also has the effect of pushing Sisko and Kira together after a season of (mostly) acrimony.

asdfadsf — Winn and Bareil brace for the stunning conclusion to “One Flew Over the Cuckoo’s Nest”.

Why it’s important

Early DS9 focused much of its time on turmoil involving the Federation and Bajor. This is likely the best example, as it shows the schism between the spiritual Bajorans and the non-spiritual Federation. It also partly explains the factions forming on Bajor that take effect in the three-parter that begins the second season. We won’t review those three episodes — though they are good — because the actions in them really don’t have consequences. The characters and the extremist group behind it never appear again, except for Winn and Bareil, who are introduced here.

Winn, of course, is a HUGE character in the DS9 mythos, as we’ll see going forward. So, to a lesser extent, is Bareil.

Thematically, this episode shows one of DS9’s strengths — the ability to slowly and gradually depict an evolving situation over several years. The Federation/Bajoran turmoil was personified by Sisko and Kira and the quiet realization that the two of them have at the end of the episode is an important development.

What doesn’t hold up

Really, Keiko O’Brien is the biggest problem in this episode. It’s hard to imagine that she would be so hard-headed AND oblivious to the fact that her secular teachings could cause problems among a spiritual people. In “Emissary”, we learn that the only thing that binds the Bajoran people together is their religion. Even if Keiko disagreed with Winn, her shock at what happened was an example of poorly done exposition (or bad acting, anyway).

The only other problem is that the Bajoran issues seen here as a big damn deal mostly go away in later DS9. Essentially, the creators pivoted from the Bajoran storylines in season two (when the series wasn’t doing well) and brought in the the Maquis, the Dominion and (later) the Klingons. That probably was a smart idea for the sake of the series — but it’s too bad that we see SO little of the Bajoran turmoil going forward (when so much time is wasted on things like Ferengi nonsense or Lwaxana Troi pining for Odo). Other than Sisko’s role as the Emissary, Winn’s backbiting and the eventual rise to power of Kira’s resistance buddy Shakaar in season three, the Bajorans seem pretty content and in step with the Federation.

And that feels odd considering just how tumultuous and factional things were during the Federation’s first year-plus at DS9. I guess you could figure that as more Bajorans accepted Sisko as the Emissary, they figured they should follow his lead and/or they were tired after the struggles with the Cardassians and the brief civil war. But it’s never really explained that way. Maybe implying it was a better choice …

Final thoughts

This is a great episode as far as understanding why DS9 was such a square peg in Trek. This wasn’t the type of outing that any other series would have likely attempted. Where I grew up, DS9 and TNG aired back to back. I can imagine someone wondering what the hell they were seeing while watching “In the Hands of the Prophets” after seeing a TNG episode like “Timescape”, a fairly by-the-numbers sci-fi/Trek outing, which aired around the same time.

But “In the Hands of the Prophets” is still a good episode, even if some of the first season issues still show up. It’s the episode that best explains the Bajoran situation after the Cardassian withdrawal.

Coming next week …

Are all humans evolved and peace-loving in the 24th century? Apparently not …

1993, 2369, Deep Space Nine, Ferengi

“The Nagus”

June 20, 2015 Paul

Ferengi Grand Nagus Zek (Wallace Shawn) comes to the station. He’s the aging leader of the Ferengi Alliance, and he names our buddy Quark as his replacement — to the shock of some gathered Ferengi who are much higher in the pecking order, including Zek’s son, Krax (Lou Wagner). Quark, initially thrilled at his stunning accession, spends the rest of the episode dodging attempts on his life, including one involving his doofy brother Rom (Max Grodénchik) that Odo stops. But it was all a ploy by Zek, who’s still alive, to test Krax to see if he’s ready to take over. Convinced he’s not, Zek resumes his post, and Quark congratulates Rom on his cunning. Or something.

Why it’s important

The Ferengi are a major Alpha Quadrant race. They, of course, were the aborted main villains on TNG, so DS9 took them and used them (mostly) as comic fodder for an episode or two for the next seven seasons. This episode is the first glimpse we get into the Ferengi’s government structure — essentially, a bunch of conniving businessmen plotting in a room — and Zek’s character shows up a lot over the next seven years. Quark’s odd standing as a bartender/shadowy character near the wormhole is sort of established here, too — as is his odd relationship with Odo.

What doesn’t hold up

What can I say? I largely hate the Ferengi.

While some characters (Quark and later, his nephew, Nog) become more than cliches over the years, most Ferengi are just annoying. Zek and Rom have moments where they’re acceptable in future episodes, but the obvious and weak plays for laughs just make me wonder how much stronger DS9 would have been if the 10-14 episodes devoted to Ferengi goofiness had focused on something else (like, almost anything else). In other words, if a Ferengi episode were anyone’s introduction to DS9, I can totally understand why they didn’t stick with the show.

That said, “The Nagus” is not an awful episode — particularly compared with most Ferengi fare — but it’s just not very good. Shawn actually makes Zek as acceptable as possible and the twist in here is somewhat unpredictable. So, I guess if you were to watch a Ferengi episode, this is one that wouldn’t make your eyes bleed like, say, “Ferengi Love Songs” or “Profit and Lace”.

My biggest problem is that the Ferengi just seem too dim-witted to have achieved as much as they’ve apparently achieved. How does a species of morons have a space empire? The only plausible theory I have on this — which we’ll discuss later — comes in my attempts to retcon poor writing. Stick with me on this …

Nog, who’s essentially illiterate in DS9’s first two seasons, learns enough in less than a year to make him a viable candidate for Starfleet Academy by the third season! Either the acceptance criteria really fell after Wesley Crusher’s failed attempts in early TNG or Ferengi can process information at an incredibly fast rate — which would explain how Nog got so learned so fast. It also MIGHT explain how a bunch of apparent doofs somehow built a large space empire. They’re socially awkward and act like morons, but they can absorb information quickly.

Oh, and one last thought: What the hell happened to Krax after this episode? We see a lot of Zek over the years and we see him eventually name his successor. Hint: It’s not Krax.

Final thoughts

All that said, the Ferengi characters can be used effectively in non-Ferengi episodes. Quark and Rom were both actually pretty well used in “Sacrifice of Angels” — arguably DS9’s most important episode — and Nog becomes an interesting character in the later seasons. I don’t hate episodes that include Ferengi. I just hated the vast majority of Ferengi-centric episodes.

I guess we have “The Nagus” to thank for paving the way for all of them. And that’s unfortunate.

Last point, while the Ferengi had already been somewhat downgraded since they initially appeared as TNG’s main bad guys, this episode, I think, really made them into second-rate powers who are mostly used for “comedy”. It’s worth noting that there’s little talk of Ferengi warships or the Ferengi Alliance as a military organization after about the second season of TNG. In fact, there’s barely a hint of Ferengi involvement during the Dominion War in DS9’s final seasons — though every other Alpha Quadrant power’s involvement or lack thereof is addressed.

Coming next week …

We see Bajoran political angst and we meet a couple major players going forward.

1993, 2369, Bajoran, Cardassian, Deep Space Nine

“Emissary”

June 16, 2015 Paul

asdfas — THERE’s our favorite Cardassian monstrosity!

Commander Benjamin Sisko (Avery Brooks) takes over as head of the new Deep Space 9, a former Cardassian space station. It orbits Bajor, which had been brutally occupied by the Cardassians for decades. The station is on the edge of friendly space and the Bajorans need the Federation’s protection and help to rebuild. Sisko’s mission is to ready Bajor for Federations membership, and he is identified by Bajoran spiritual leader Kai Opaka (Camille Saviola) as the “Emissary” an important figure in the Bajoran faith destined to discover the “celestial temple” where the Bajorans believe their prophets (gods) live. Working with his science officer, Jadzia Dax (Terry Ferrell), Sisko finds a wormhole (leading 75,000 light years away, to the Gamma Quadrant) near Bajor, and non-linear aliens inside it, possibly the Bajorans’ temple and prophets. A Cardassian vessel follows and disappears, prompting more Cardassians to come to the station, demanding to know what happened to the ship. Sisko eventually convinces the wormhole aliens that he’s not an invader and they help him get past his wife’s death — which occurred during the Battle of Wolf 359 — by showing he’s been living a non-linear existence (i.e. he’s stuck in the past). Sisko convinces the aliens to allow passage through the wormhole and returns the Cardassian ship to the Alpha Quadrant, preventing an all-out attack on the station. With the wormhole’s discovery, DS9 is set to become a key outpost for the Federation.

Why it’s important

Considering DS9’s status as the black sheep of Star Trek series, it’s really astounding how much was established in this pilot that went on to be of huge importance for the rest of the series and for Trek generally. A quick list:

— The wormhole to the Gamma Quadrant, which sets the stage for the war with the Dominion in DS9’s later seasons.

— The proximity to the Cardassian Empire, and notably Gul Dukat (Marc Alaimo) who would become DS9’s main villain.

— The Bajoran theology and Sisko’s place in it, which would be a major thread throughout the next seven years. Bajor’s political instability would be a major thread in the early seasons.

— The mysterious background of Odo (Rene Auberjonois), which would eventually tie in to the Dominion leaders, the Founders.

All of that happened in DS9’s pilot episode — one that ALSO tied in TNG’s most significant event, “The Best of Both Worlds”. Having Sisko be a survivor of that attack — and having him harbor feelings of anger against Picard, who shows up in this episode — were truly great touches.

What doesn’t hold up

DS9 wasn’t initially successful and was never as successful as TNG or TOS because it was so different. It was much darker — too dark, for some fans — and that was set into motion even in season one.

But I’ve always felt DS9’s initial issues — other than some boring station-bound episodes — stemmed from many of the characters being over the top in the early seasons. Kira’s too angry, Odo’s too antagonistic, Sisko’s too brooding, Bashir’s too annoying and Quark is too villainous. The Dax character — who was pretty much totally redefined in season two — is too cerebral. Really, the only character who doesn’t become more likable over the years was O’Brien — and, of course, that was probably because the character had already existed for years on TNG.

It’s almost as if the creators tried to do something SO different that they didn’t do characterization very well. That improved over time, but the characters are more like archetypes in the first season. As a result — and somewhat strangely — DS9 is the most interesting series to watch for its evolution. More than any other series, the first season is very, very different than the final season.

From a consistency/historical perspective, DS9 sort of rewrote two alien races we first saw in TNG. Bajorans initially were a bunch of refugees and not slaves on their own planet. The Trill look changed here, but backstory changed more later as the relationship between the symbiont and the host was very different in TNG. For more, see our reviews of “The Host” and “Ensign Ro”.

Final thoughts

While the series is inconsistent, I find DS9 to be as strong as TNG or TOS (which both had seasons that were pretty weak). That’s a stance many fans won’t embrace, but it’ll come through in these reviews. While TOS was the trailblazing series and TNG was the most consistent (even given the weird first and second seasons and some awfulness in season seven) DS9 was the most daring. It’s the Trek series that most closely approximates the great television of the past 15 years (“The Wire”, “Breaking Bad”, etc.). When it failed, it did so because it slid back into episodic shows when doing so didn’t make sense and/or when the consequences didn’t match the buildup. Or, it failed because it had too many Ferengi episodes. Speaking of which …

Coming next week …

The first of many Ferengi episodes. Shoot me.

What if a site focused on the really important Star Trek episodes, explained how they were important and how they tied together — while tossing in a healthy dose of snark?